Mar · 25
/ Painting
On gesso, and the patience of a black ground
Why a slow-built black ground changes everything that lands on it — and the seven coats it took to find this one.
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Why a slow-built black ground changes everything that lands on it — and the seven coats it took to find this one.
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Notes from three months in a single 28m² studio. What it does to a body, to a brush, and to the work.
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One take. One Revox. One long night. The full session diary, mistakes and all.
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How an original crime-fiction universe grew out of a painting and a soundtrack.
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